SOFOKLNING “ANTIGONA” TRAGEDIYASIDA TABIIY VA POZITIV HUQUQ O‘RTASIDAGI KURASHNING BADIIY TALQINI
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Sofokl, “Antigona”, tabiiy huquq, pozitiv huquq, huquq falsafasi, huquq va axloq, adolat, qonun ustuvorligi##article.abstract##
Mazkur maqolada Sofoklning “Antigona” tragediyasida tabiiy va pozitiv huquq o‘rtasidagi ziddiyatning badiiy-falsafiy talqini tadqiq etiladi. Asardagi Antigona va Kreont o‘rtasidagi qarama-qarshilik misolida insonning ajralmas huquqlari, axloqiy burch, adolat, davlat hokimiyati va qonunga bo‘ysunish masalalari tahlil qilinadi. Antigonaning davlat hukmiga bo‘ysunmasdan, ilohiy va “yozilmagan qonunlar”ni ustuvor deb bilishi tabiiy huquq g‘oyalarining badiiy ifodasi sifatida talqin etiladi. Kreontning davlat hokimiyati tomonidan o‘rnatilgan qonunni mutlaqlashtirishi esa pozitiv huquqning ustuvorligi bilan bog‘liq yondashuv sifatida ko‘rib chiqiladi. Maqolada “Antigona” nafaqat qadimgi yunon tragediyasi, balki huquq falsafasi va “Huquq va adabiyot” yo‘nalishi uchun muhim badiiy-huquqiy manba ekanligi asoslanadi. Asarning zamonaviy huquqiy tafakkur, qonun ustuvorligi, inson huquqlari va fuqarolik pozitsiyasi nuqtayi nazaridan ahamiyati ham ochib beriladi.
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